Maria Gaspar
Contributor
Maria Gaspar is an interdisciplinary artist negotiating the politics of location through installation, sculpture, sound, and performance. Gaspar’s work addresses issues of spatial justice in order to amplify, mobilize, or divert structures of power through individual and collective gestures. Her work spans formats and durations, including sound performances at a military site in New Haven (Sounds for Liberation); long-term public art interventions at the largest jail in the country (96 Acres Project, Chicago); appropriations of museum archives (Brown Brilliance Darkness Matter); and audio-video works, marking a jail located in her childhood neighborhood (On the Border of What is Formless and Monstrous).
Gaspar has received the Guggenheim Award for Creative Arts, Latinx Artist Fellowship, United States Artists Fellowship, the Frieze Impact Prize, the Sor Juana Women of Achievement Award in Art and Activism from the National Museum of Mexican Art, and the Chamberlain Award for Social Practice from the Headlands Center for the Arts. Maria’s projects have been supported by Art for Justice Fund, Graham Foundation for Advanced Studies in the Fine Arts, Robert Rauschenberg Artist as Activist Fellowship, Creative Capital Award, Joan Mitchell Emerging Artist Grant, and Art Matters Foundation. Gaspar has lectured and exhibited extensively at venues including MoMA PS1, New York, NY; the Contemporary Arts Museum, Houston, TX; the Museum of Contemporary Art, Chicago, IL; the African American Museum, Philadelphia, PA; and the Institute of Contemporary Art, Los Angeles. She is an Associate Professor at the School of the Art Institute of Chicago, holds an MFA in Studio Arts from the University of Illinois at Chicago, and a BFA from Pratt Institute in Brooklyn, NY.
